Cross-training
May 9th, 2008When we first got home after the long walk, I had a lot to do to get caught up and tended to stay in the studio to work through the piles of gear, mail, and general stuff. Matt was the one who had to go to work and was, therefore, the one who fielded the common questions, “Well, did she do it? Did she actually walk the whole way?”
Sometimes in the middle of the night I still wake up with that nagging question, “What would have happened if I hadn’t gone the distance?” I think we’d have had to move. People around here can be a bit merciless and it wouldn’t have mattered if I’d gone 290 miles, if I’d missed those last 19, I’d have failed. That’s what they’d remember and what they’d remind me of regularly.
Thank goodness, I finished. I know it, and so do they. Now everyone is my new best friend. Oh, my old friends always believed in me, but now even people who’ve been less than friendly run across the street to say, “Hi,” and to tell me that they wish they’d been there with me. Uh-huh. I smile and think, “Then why weren’t you?” Maybe it’s not my sweetest self, but let’s face it, anyone running or walking an ultra-distance suffers for the sport. The wanna-bees have no idea and I’m the skeptic when it comes to just how far they’d get. Oh, maybe the first day they’d make it, but could they move the second day?
An older woman who is a native to New Mexico and who is a docent at the Camino Real Heritage Center offered a comment to the group at my presentation there a couple of weeks ago: “When I was a little girl my grandmother would tell me what her great-grandmother said about the caravans. Maybe 200 people would start together, leaving Mexico City with their carretas and high hopes. They would stop at our village to get water and supplies, maybe rest and bathe. But by that time, there would only be 50 or 60 people left. Some would die from the Indians, or diseases, or even the snakes, but most just quit because it was too hard. Then they might die before they could get back to some place safe, or they would just go back and know that they didn’t make it.”
For some reason, at this moment of my recent finish, I have been thinking a lot about DNFs. It’s probably because with every article I write, I have that same nagging feeling that rejection will follow. I don’t have a regular writing gig, so rejection is a major part of my life. The same was true when I was an artist. I had to compete to get into juried art shows, exhibits, fairs, whatever. Where there is competition, there is always rejection. Usually there’s a lot more rejection than there is acceptance. The stats are there to back me up. It’s not just true for me - I’m not wallowing - it’s true for most of us slugging it out in creative endeavors.
People react to artists and writers much like they do to the ultra-athlete: “Oh, I wish I could stay home and write all day.” or “It must be fun to just make art all day,” or “How fun for you to run your in those events - I wish I had the time to do that.” They don’t know that in preparation for an art fair my record was 27 days straight of 10-14 hr. days in the studio. To get to the show was a three-day drive across much of the west, the show, then the three-day drive back. It was a great show. The truck and trailer were nearly empty when we headed back home at the end of the weekend, but I’d put in the hours and worked my behind off. Being an artist and a writer is not a different kind of life than being an ultra-athlete.
So, yesterday I mailed the story of my walk in article-manuscript form to New Mexico Magazine. I got really stressed just before leaving for the post office. I expect rejection. I mail out a lot of manuscripts for books and for articles. Last time, after my walk in Belgium, I mailed to 15 publications and heard back from 5 - all “no thanks.” The other 10 didn’t even respond. Each rejection is a bit like a DNF. I walked my walk, wrote my story, prepped it the way the publisher wanted it, and didn’t finish - the story died somewhere short of the reading public’s view.
Maybe that’s why I was able to finish my recent walk in spite of all the weather and my feet threw at me. I was tired of the publishing DNFs and was going to make sure I finished without a physical DNF. Finishing was a matter of mind beyond pain and fatigue and weather and blisters. I’d sit in the car during breaks, look out the window, say to Matt, “It’s not going to get any easier,” and head back out onto the road. He says it was agonizing to watch me those first 20-30 feet when I’d try to make my body move in some kind of rhythm. There were times I could barely shuffle my feet. So, I’d move my arms. I’d tell myself, “You need to walk, which means with some kind of stride.” And I’d make my arms move like I was cross-country skiing until my mind got past the pain and my legs cooperated. There were a few times someone else witnessed my pitiful start and I’d just laugh lightly and say, “It’s not pretty, but I get going eventually.” And I did.
Yesterday the article to NM magazine went out in spite of the fact that I expect rejection. I figuratively worked my arms and got my legs going, and delivered it to the post office (literally). A well-known running magazine (not UR - so let’s not start on them again) rejected me straight off when I sent my query. The reply was, “We aren’t interested in hiking stories.” Well tut. It’s part of my problem…I’m a walker in a running magazine world. It narrows my prospects. So what? I can’t run 100 mile events but I still manage to go beyond that distance. I keep writing because it’s what I do and it gives me pleasure. Even though I had pain and was beat up by the weather, I loved my walk. Matt told me last night, “It’s who you are - the writer and the ultra-walker. They won’t be denied.”
Now I face the final stages in the book proposal. It will be sent off as well.
DNFs aren’t fun. They are in fact painful, even when we do learn from them. And yet, the ultra-athlete keeps signing up for the next event or even the same event the following year with great determination to conquer whatever it was at the root of the DNF.
The thing is, we keep moving forward (even if it’s in a shuffle that reminds the onlooker of Arte Johnson’s old man character on Laugh In) any way we can. Otherwise, we’d succumb to the fear of the DNF. And I think, somewhere in the back of our minds, as we shuffle on to deny the fear its attempt to hold us, we know sooner or later we’ll hit our stride. Then dreams of successful finishes dance in our heads. All the fear and all the DNFs are worthwhile when the dreams become reality.
Shuffling on, susan


